![]() ![]() Break out all that old gear you’ve been saving up for a time such as this!Ħ. You can also now mix in multi-channel and surround, and… M4L devices can now send and receive SysEx data. It’s now fully integrated, meaning it boots up at start up in the background. Push 2 step sequencing is now way better with the ability to sequence and play realtime from the same layout, there’s also some amazing visualisations of the new plug-ins.ĥ. Don’t feel like you have to get it right again, Capture already has it stored away in memory.Ĥ. If you’ve been jamming away, practising a part and suddenly nail. ![]() Capture lets you record your performance after the fact. It also has a three-band EQ with switchable mid frequency for easy tonal sculpting.ģ. The three flavours of overdrive, distortion and fuzz are more versatile than the current Overdrive plug-in. Pedal is less fancy, but adds a lot more distortion flavours to your Live rig. It’s a distortion/harmonics device, paired with compression, transient shaping and sub boom, with a dry/wet mix control for parallel processing. Drum Buss puts all your drum tweaking into one plug-in. Echo is a full-fledged modulated stereo delay with editable character and a ‘ripple’ GUI for adjusting repeats. It’s also got a dual stage filter with all the usual Live suspects, plus all the other Live synth goodies like selectable polyphony, a full modulation matrix and unison mode.Ģ. It’s a dual-oscillator, eight-voice wavetable synth, with 11 wavetable categories from basic to harmonic, noise, and more. Here’s a hit list of the top five additions to Live 10, and what didn’t quite make it: NEW STUFFġ. It was the company’s first hardware product, and since then it’s released Push 2 and 9.5, but Live 10 has even tighter integrations between the software and hardware, plus loads of cool additions. It’s been almost five years since Ableton dropped version 9 and Push on the same day. After months in beta, Ableton Live 10 has finally dropped. Made in collaboration with Robert Henke.It’s finally here. PitchLoop89 – Creates jittery glitch effects, delayed digital shimmers and outlandish vibrato. Made in collaboration with Dillon Bastan. Inspired by Nature – Six playful instruments and effects that use nature and physics as their inspiration. Spectral Time – Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. Spectral Resonator – Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. Hybrid Reverb – Combines convolution and algorithmic reverbs, making it possible to create any space, from accurate real-life environments to those that defy physical reality. MPE-capable native devices – Wavetable, Sampler and Arpeggiator are updated to support MPE. MPE support – Add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily.Įxpression View – Edit the pitch, slide and pressure envelopes of each note to refine the expression in your music. Linked-track editing – Link two or more tracks to edit their content simultaneously. The best parts of these takes can be stitched together for the final result. The latest version of Live includes comping and MPE, new devices for experimentation, features for live performance, chance tools and much more.Ī partial list of what's new in Live 11 includes:Ĭomping – Live organizes multiple passes of an audio or MIDI performance into individual takes. Ableton has announced that Live 11 is now available at and at local retailers worldwide. ![]()
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